This time I stayed on Gran Via in the city centre.
The temperature range for the day: minus one to sixteen degrees C. Ten degrees cooler than Essaouira.
Here's my morning perspective from the cosy breakfast room -
The temperature range for the day: minus one to sixteen degrees C. Ten degrees cooler than Essaouira.
Here's my morning perspective from the cosy breakfast room -
  |  |
And a reminder underfoot -
for those of you who read my FB post about my Threshold series (14th September 2016).
for those of you who read my FB post about my Threshold series (14th September 2016).
***
First stop - THE PRADO - to see two exhibitions:
Mariano Fortuny (senior)
and
Cai Guo-Qiang
(the Chinese artist who works with gunpowder)
First stop - THE PRADO - to see two exhibitions:
Mariano Fortuny (senior)
and
Cai Guo-Qiang
(the Chinese artist who works with gunpowder)
Fortuny's beautiful watercolours of Morocco place him firmly in the romantic school of Orientalism.
He trained in Rome on a grant from the Provincial Council of Barcelona.
Went on to North Africa to paint episodes from the Spanish-Moroccan war
(they still don't make good neighbours)
and was inspired by the local peoples and their customs,
an inspiration that reappeared throughout his career.
He had a fascination with the macabre - a few paintings showing near dead prisoners in chains and
a particularly disturbing watercolour titled "Jailer with his Dismembered Prisoner"
that I didn't need to inspect closely - and painted from life obviously.
As you can see, I'm showing the watercolours I prefer.
The painting above - "A Moroccan" - 32 x 20 cm (1869)
Below - "Camels Reposing - Tangiers" - 21 x 37 cm
He trained in Rome on a grant from the Provincial Council of Barcelona.
Went on to North Africa to paint episodes from the Spanish-Moroccan war
(they still don't make good neighbours)
and was inspired by the local peoples and their customs,
an inspiration that reappeared throughout his career.
He had a fascination with the macabre - a few paintings showing near dead prisoners in chains and
a particularly disturbing watercolour titled "Jailer with his Dismembered Prisoner"
that I didn't need to inspect closely - and painted from life obviously.
As you can see, I'm showing the watercolours I prefer.
The painting above - "A Moroccan" - 32 x 20 cm (1869)
Below - "Camels Reposing - Tangiers" - 21 x 37 cm
He was a great innovator in watercolour, introducing a new spontaneity,
tonal clarity and exquisite quality of execution.
Fortuny's oils however, were the basis for his fame and highly influential in Spain, Italy and France.
My preference is for his small oil paintings. They sparkle like jewels.
This piece below, I first spotted across a crowded room in the Prado in 2016,
and knew it immediately as Morocco, because of Mariano's skillful depiction of the light.
"Moroccans" - 17 x 25 cm
tonal clarity and exquisite quality of execution.
Fortuny's oils however, were the basis for his fame and highly influential in Spain, Italy and France.
My preference is for his small oil paintings. They sparkle like jewels.
This piece below, I first spotted across a crowded room in the Prado in 2016,
and knew it immediately as Morocco, because of Mariano's skillful depiction of the light.
"Moroccans" - 17 x 25 cm
This one, below, is probably his most famous. It's reproduced on everything in the Museum shop.
"The Artist's Children in the Japanese Salon" - 44 x 93 cm (1874)
I have a folding fan depicting the detail of the gold butterflies and cherry blossom, a portion of the red cushion and that gorgeous turquoise background.
(the colour is not so accurate in this reproduction, or the fan's, for that matter).
"The Artist's Children in the Japanese Salon" - 44 x 93 cm (1874)
I have a folding fan depicting the detail of the gold butterflies and cherry blossom, a portion of the red cushion and that gorgeous turquoise background.
(the colour is not so accurate in this reproduction, or the fan's, for that matter).
I liked the added touch of the smoke billowing up from the poster for CAI GUO-QIANG
You may have seen his work before.
Here's some of his pure gun powder pieces from the Brisbane Triennial in 2009.
Here's some of his pure gun powder pieces from the Brisbane Triennial in 2009.
Cai has been studying the collection at the Prado for the last two years.
He is the first contemporary artist to work on-site (October 2017 - March 2018)
I personally did not like the work he produced;
mixing pigments with the gun powder before ignition - hence no pictures (sorry).
He is the first contemporary artist to work on-site (October 2017 - March 2018)
I personally did not like the work he produced;
mixing pigments with the gun powder before ignition - hence no pictures (sorry).
What I did find fascinating though, were these few "sketches" and plans.
Below - his plan for blowing up the Spanish royal family and the pigment placement. I love these pieces!
Below - his plan for blowing up the Spanish royal family and the pigment placement. I love these pieces!
And below - the first spark, so to speak...
After the Prado the next stop had to be JECO - the best art supplies shop in Madrid.
I stocked up on Golden acrylics ready for my next paintings for the Kasbah des Caids gallery in Tamnougalt.
And a visit to La Riva Papeleria - a paper shop that cuts my paper order to luggage size.
I stocked up on Golden acrylics ready for my next paintings for the Kasbah des Caids gallery in Tamnougalt.
And a visit to La Riva Papeleria - a paper shop that cuts my paper order to luggage size.
and a very special purchase - at last - I have some PFEIL, swiss-made, carving tools.
RSS Feed